Tag Archives: communication

Black Sheep

I worked, played, stalked by a creep and contacted the Feds, my father passed away, going back to blonde, health goals met, started noticing some flirting though “Stella ain’t got her groove back” yet – and survived it all.

I realize after hearing stories, that I’m nothing like the rest of the family and I’m extremely grateful for it. I’ll continue to treasure being the ‘black sheep’ of the family. It’s what I do best. I wish I had learned this years ago, but now is fine too. I am not sorry if you’re reading this. I do not like how you treat each other. A family gathering with you all is described as: A rabbit hole filled with cobras wearing crosses.

I do have a renewed faith in friendships again. Friendships really are like a garden, you have to remove the weeks to see the real fruit/veggies who feed (encourage etc) you as much as you feed (encourage etc) them. Update: I paused while writing this ‘blog’ and ended up finding this article called, “5 Tools for Pulling Weeds from Your Heart”  By Genevieve Schmitt.

Yep – this is probably the same shit written another year gone by. I don’t like to do too much details, it is after all, the Internet. I know all too well that there are some mentally unstable people out there who need to get help. So if this is boring, I’m proud that it is now.

I shall leave you with some of my favorite quotes – maybe they can inspire those of you who stumble on this blog:

“To thine own self be true…..”
~Shakespeare or Sir Francis Bacon depending on how much history you really are into.
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“Above all, be true to yourself, and if you cannot put your heart in it, take yourself out of it.” ~ Unknown
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“If you’re absent during my struggle, don’t expect to be present during my success.” ~Actor, Will Smith
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I bend like a weed in the wind; My enemies perfect me.
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Before enlightenment – chop wood, carry water. After enlightenment – chop wood, carry water.
~Zen Buddhist Proverb
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Tomorrow always comes, and today is never yesterday. ~S.A. Sachs
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Reason and faith are both banks of the same river. ~Doménico Cieri Estrada
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“Philosophy, rightly defined, is simply the love of wisdom.”
~Marcus Tullius Cicero
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“Maybe some women are not meant to be tamed. Maybe they need to run free until they find someone just as wild to run with”.
~~Carrie Bradshaw – Sex and The City

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It took just one man.

On September 28th, I wrote this on Facebook and don’t want it to get lost in the sea of past posts. It’s a little vague in details because it I want it to be. I know the details. He knows the details and a few people know the details – that’s all that matters. It touched my soul.
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Over this past week, one man has shown me truth, his word, his integrity and honor. I will forever be grateful. Good men exist. He didn’t hesitate. He became the most incredible man in the World in my eyes. I have so much respect for him. I wish many amazing things go in his way.

I then showed someone else the same things and hope that person continues paying it forward. Good people exist who help and give without selfish expectations.

It was nice to reflect on this as I enjoyed my evening star gazing as the last day of summer for Washington. The air so fresh and the temp is just right. Life is such an interesting journey. I finally feel open to many things now. I know, pretty cryptic and deep.Some will understand and others may not. 

Intuition & Instinct: Which one do we listen to?

Intuition:
the ability to understand something immediately, without the need for conscious reasoning.

Instinct:
a natural or inherent aptitude, impulse, or capacity.

Dreams are pretty interesting really. They can shows and teach us things that we may not have thought about while awake. Other times, they are a mix of goofy moments we did during the day or something we watched.  The dream I had last night revolved around a game called Space Engineers and I think a little bit of either Event Horizon or Alien slipped in the mix.

I was the Captain of a space craft and we were docking to board another ship that had not been answering back for some time.  I had a crew of five going over with me. My intuition was alarming me that something was clearly wrong with this picture of course.  Even though the oxygen was on at the second craft, I wouldn’t let any of us take our gear off.  All was quiet. Too quiet.

Going past a couple rooms that were empty and rounding a corner where the dining area is, we immediately see carnage of bodies. I will spare the details. Without hesitation, I told the crew we are to evacuate quietly and now. One started to argue that we were there to investigate and asked how I knew we were in danger. I replied that the blood was not fully dry.  I was a Captain of a space ship, not an investigator.

Intuition and instincts.

It hit me after I woke up that I was willing (in dream) to listen to both intuition and instincts. Why? Was it because there was blood? There was obvious danger?  What made me think not to take off our suits? I was thinking ahead. So the outcome wasn’t like we see in the movies where one dummy defies orders and takes it off, ends up with an alien rammed down his throat, we go back to the ship and it continues on. Wash, rinse, repeat.

Why don’t we use our intuition better with our daily life?  Why do we ignore signs and excuse people or their behavior? Is it because we have been taught to give chances from forgiveness?  It’s probably the best answer I can come up with.  In abuse situations, the victim stays with the abuser and forgives their words or actions, but it continues on again.

Forgive:
to cease to feel resentment against (an offender).
to give up resentment of or claim to requital for.
to grant relief from payment of.

Just because you forgive, it doesn’t mean you allow the person to continue to abuse, mistreat, disrespect, or to continue whatever it is that they keep doing.  So in repeat situations, it is not a habit, it is part of who they are, which brings me to control.

Control:
to exercise restraint or direction over; dominate.

Self
You must control yourself with action and words to keep from repeat moments.  Learn to listen to your intuition before it becomes instinct. There is no need to feel the ‘flight or fight’ from epinephrine rushing through your body because you’re stressed out, angry or fear your situation. It cases increased heart rate, blood pressure, cardiac output and carbohydrate metabolism. Go – look it up. Epinephrine.

Others
You cannot control others. They must master their own mind, soul, tongue and actions. They must see within their core being to change. You have no control over this – even if you or a counselor were to point it out. You have no control.

Action:
an act that one consciously wills and that may be characterized by physical or mental activity.

It speaks far louder than words and if you do not see progress on their side, it’s time to keep working on yourself and move forward. You may find that you will have to leave that person behind. Words are cheap, but action is worth gold.

So trust your intuition before your instincts kick in.

Featured image for the movie Alien.

Communication: Stick With The Plan

Communication. It’s vital in every situation, but more importantly – when both or all understand and stick with the same plan. When someone changes things without reasoning or informing the other(s) and then gets disappointed because the other person or team isn’t doing right by their plan….well, that just isn’t good communication.

Communication.
Planning.
Flexibility.
Goals.
Executing on the goals as a team.
Stay on target. (Damn straight I had to do a Star Wars line)
Good outcome.

It seems simple, I know. The sad fact is, many people don’t do communicate well. If you don’t have a good memory, it’s best to keep a journal to look back on. If you have to email yourself a reminder or put it on your online/desk/wall calendar – do so. You can’t expect others to read your mind. It will save time and relationships (work/love/friends/family).

Value: What is it?

Value.

I hear a lot of the ‘self-worth’ talk lately and I think in some ways it’s being overly used, which seems pretty typical anymore.
 
Value: It’s not your job. It’s not cars or trucks. It’s not your house. It’s not the money you make.These are secondary things that allow us to be comfortable with our journey in life.
 
Value is just being you. A human being – the person inside the meat suit. There is no such thing as physical perfection. Respect yourself without thinking you’re above others. Respect yourself to refrain from feeling below others. There is a huge difference of a discussion or silly joke vs abuse or continuous ill treatment. Just being you is enough. Just being you is enough. Repeat that and remember it forever.
 
So if someone places the things you own or do for a living as a value over who you are – Respect yourself.
 

Producer’s Corner: So, You Wanna Be a Filmmaker

So you want to make a film.  What do you do?  Gather friends and strangers together and just do it?  Well, what if someone fell and cut their leg?   What if an actor broke their arm? Did you have contracts to protect yourself?  Did you get the insurance needed? Did you sign a contract protecting the business or home owner from such accidents?  Uh oh, do you even have a business license?

Oh sure, there are websites telling you that in four easy steps, you can become a filmmaker.  Yep.  It looks glamorous does it not?  Who doesn’t want to be an actor or a filmmaker?  It is easy work right?  Hmm.  Let’s take a look at what you really need to become a filmmaker.

This information is the difference between professional and doing a film as a hobby just for fun – and there is nothing wrong with that but, you really should protect your hobby too.  A car collector still has insurance and owns the title of his valuable cars – you should too for your films. So you hobby filmmakers should sit back and read too.

BUSINESS LICENSE

The first step you need to take is getting a business license from your state.  For Washington filmmakers: http://bls.dor.wa.gov.  The site will seem hard, but it really is not.  Just take your time and answer the questions – it sometimes helps if you know someone who has done it before.  You can take it one step further and make your business an LLC (Limited Liability Company – click on link to read up).  Huray!  You’re now on your way to being a business person!  After this – having a business plan is all up to you – another time, another blog.

TAXES – DEPARTMENT OF REVENUE

Be wise.  Be smart.  Here’s a load of information on the Washington Filmworks page about the Department of Revenue.

WASHINGTON STATE MOTION COMPETITIVENESS PROGRAM (TAX INCENTIVE)

It’s going to be easier to send you to Washington Filmworks website to follow up with and learn about the incentive.  You ARE going to need this information if you start making films with a budget.

With one of the industry’s most competitive incentive programs, Washington Filmworks provides funding assistance of up to 30% of in-state qualified expenditures (including Washington-based labor and talent). And we’ll cut you a check within 30 days. We’ve got millions in incentive funds to give away this year, offering you the opportunity to significantly cut costs without sacrificing production quality.

To qualify for our 30% return in 30 days incentive program, your production company must meet the following in-state spending thresholds:

  • $500,000 Motion Pictures
  • $300,000 Television (per episode)
  • $150,000 Commercial

CONTRACTS & OTHER FORMS

Alrighty!  So you have a script and you are in the big Producer/Director chair for your own film.  Now you want to hire crew and actors – or you might need a contract to buy a script from a Writer. Well, you need to come up with a contract that protects you, the actors, the crew, and the location you are filming in.  So – here is a list of BASIC contracts.  There are more websites out there showing basic contracts if you do an internet search. You can modify them but remember, it may still be a good idea to get an attorney to review it.
By the way – include Non-disclosure forms and a bunch of others into this category.  Yes, all the more reason to hire a person who knows how to do things – that person is called a Producer.

PRODUCER

What in tarnation is a Producer? Well, in short – they are the face and voice of your film.  Here’s a link to a blog I did – “What is a Producer?”  The Producer must have excellent and genuine customer service, marketing, administrative and business skills and knowledge. Without these skills, one will look disorganized, unprofessional, and will cause your film to be canceled, delayed or worse.  Hire a good Producer.

INSURANCE

This isn’t secret squirrel knowledge.  You can contact ANY insurance agency.  If they don’t have it, they will refer you to an agency that does.  You are looking for film insurance and a quote.  Shop around – it’s like car insurance, you want the best you can get for a good rate.  They will give you different options and you choose what’s best.

PERMITS

Unfortunately, we do need film permits and for all sorts of things.  Yes, you can swear all you want at “big brother” but it won’t get your film going any faster.  Please be professional and courteous with those who you’re submitting the permit to.  Here is a great link for Washington State Film (Washington Filmworks) to find what kind of permit you need.  For permits within Seattle, you can get them at the Seattle Office of Film & Music.  From the words of Seattle Producer/Director Kris Boustedt:  “I also want to add, re: permits. To any prospective readers/filmmakers: don’t be afraid of them (especially in Seattle). 🙂:-) The Seattle Office of Film and Music makes the process really simple and painless. They rule.”

COMMUNITY GUIDELINES

Yeah, it helps being professional at all times.  You are a contracted business and you are hiring people to work for you – even if it’s for pro bono.  Oh and just a note – don’t BS people by saying they get an IMDB credit for their work.  That only happens if you submit the (short) film to festivals and it gets accepted. Don’t say that.  So if it is pro bono (free) work – they are doing it for their own experience, to help you out (and you better return the favor), credit on the DVD and they get lunch/dinner.  That’s it.  Anyhow, here is a good guideline from Washington Filmworks about Filming Guidelines.  I also wrote a blog about safety for new crew/cast to film.

WASHINGTON STATE – CODE OF CONDUCT

I want to make sure you all understand The Code Of Conduct should be attached to the filming notification and distributed to the neighborhood.  I can’t say it any better than this:  “You are guests and should treat this location, as well as the public, with courtesy.  If we do not all work toward building a good relationship with the local communities in which we work, we will see less production, resulting in fewer jobs for us all.  Please adhere to the following guidelines.”

WASHINGTON STATE – LABOR AND INDUSTRIES             

I want to make sure that everyone understands that you are NOT exempt from City, State, or Federal laws just because you are a “filmmaker.”  Sexual harassment can happen anywhere.  Unfair treatment can happen anywhere.  Here is a list of Workplace Rights – know them.  Hiring children under 18, there are specific laws about it.  Read it.  Know it.

OSHA, WISHA, and DOSH – OH MY!

How do OSHAWISHA, and DOSH relate? What about RCWs and WACs?  I’m going to just let your read up on it all.  Safety, safety and more safety – by law, you are required to follow the rules and provide safety to cast/crew and yourself.
OSHA – federal Occupational Safety and Health Administration
WISHA – Washington Industrial Safety and Health Act of 1973
DOSH – Division of Occupational Safety and Health
I’m going to also point to my safety blog.

FIRST-AID KIT & EMERGENGY

Do you know what to do in an emergency?  Did you know you are by law to have a medical kit on set?  OSHA standard 1910.151 (b) also states an employer must have “adequate first aid supplies…readily available,” although specific first aid supplies are not listed.  Here’s a great emergency list to check out and follow.  I’m going to also point to my safety blog.

NOT A DATING SERVICE

Sorry to step on some toes here but film is not a dating service and if you’re using it as such, please read this.  For actors – You don’t need to do anything to get ahead other than audition.  Harassment in the Workplace – know it too.  The Washington State Law Against Discrimination (RCW 49.60) also prohibits sex discrimination in employment, which includes sexual harassment.  Under this law, individuals may file a lawsuit in state court or file a complaint with the Washington State Human Rights Commission.  Do not call someone hun, honey, baby, or other cute terms.  They are your colleagues and again, just because you’re not at Microsoft, doesn’t mean your exempt from the law.  Protect YOURSELF.

SAG-AFTRA

Do you even know what that means?  Lol  Don’t panic!  A lot of people don’t know this when they start making films.  Here’s your chance to learn and look them up on your own time.  Whatever you do, don’t ever feel pressure from anyone to know everything all the time.  SAG-Screen Actors Guild and AFTRA is American Federation of Television and Radio Artists.  I know, I know, a long title.  It represents over 150,000 film and television principal and background performers worldwide.  So – here’s the website to review them a bit more.  When you hire UNION actors, you will be going through SAG-AFTRA.

FI-CORE

Financial Core is the bastard child that no one wants to talk about.  Because I firmly believe that everyone should be given all information to make their own decisions – I’m posting this information.  FYI – by posting this, it does not mean I am anti-union.  In fact, I am vested in a union already.  I will not post anything about this – leaving you to read and decide ON YOUR OWN.  Do NOT let anyone intimidate or manipulate you one way or another.  Actors like Jon Voight, Gary Graham, Dennis Hopper and more are/were Fi-Core.   Both John Voight and Gary Graham explain why they chose this route as actors.  By the way – it’s not just actors who can go Fi-Core – Directors and Writers can too.

•Here’s what SAG has to say: http://www.sag.org/getthefacts/ficore2.html
•Here’s a great pro-fi-core article: http://www.coalminecanary.com/SAG.html

Now you are well informed as you should be.

PRODUCTION NAME

Make it something that is identifiable and don’t rip someone else off – for Google’s sake, make it professional.  Two Dogs Humping Productions is NOT going to get you jobs by the vast majority.

INVESTMENT FUNDING

This is where you will have to do a lot of research on your own.  Do NOT trust just anyone who says they are going to invest in your film.  Do NOT fly to meet with this person if they do not have a legit website, email address, phone number and can talk the language of finances.  There is no magic wand that will make money appear before your eyes to get your (hopefully) feature film.  Short films – either you all just do this for experience or if you feel the need, go to all the crowd funding sites and raise some disposable cash. That’s all short films are = disposable cash.  You will never make money from them but you can get funding for your future feature films if they show some good quality work.

You will have to work for this – unless you hire a Producer.  Here’s another thing – do not expect anyone to just hand over their investor contacts.  No one will and once you’re up and running – you shouldn’t either.  Yep – I’m telling you to protect your work, your investors, yourself, your crew and your cast in this whole entire blog.  I will warn you this – Investors know bullshit.  Don’t try to bullshit them or you will be out the door.

COMMUNITY – COMPETITOR

In every city, there are filmmakers just like you wanting to make money and build a great community.  The one piece of advice is to remember that while you’re building great relationships – never give out your project information.  Why?  Well it can be many things: a) you tell someone something, they forget it and six months later they have the same project because you put it in their subconscious b) they deliberately beat you to the chase and ripped you off c) it’s just not wise.  Don’t mentor.  Oh sure, you can do it, but once everyone has picked your brain to death, you’re left standing like a Zombie. Never give out what studio job you have sent your resume to.  Why?  Your community is your competitor too.  They want the same job because they want to be paid as well.  It’s not wrong – it’s business.

OFTEN COPIED – NEVER DUPLICATED

If you’re someone who’s really sharp and on the ball, be prepared for the copy-cat syndrome.  Just remember that you can be copied but never duplicated.  Smile with that.  This is another reason to keep a lid on your projects.  Yeah, yeah – they are going to watch you and do what you do.  People see through it.  What works naturally for you will not work for them.  Be thankful that you are in touch with yourself.  Look, no one can be you or repeat what you have done with your production company, your films or your acting style.  There is one Peter Jackson, Brad Pitt, and Sigourney Weaver. Heck, there’s even just one Megan Fox.

SHINY NEW TOY

A person on the move is a person that many will see as a shiny new toy.  Some of you will rise very fast and some a little slower and more calculated.  While it is great to network, socialize and all that pretty stuff – just be cautious who you let into your production. You’re going to have sycophants around you and that’s up to you to decide who they are.  You’ll be told how awesome you are and you won’t know that the last shiny new toy was told the exact same words six months and two projects earlier.  Just remember this – you’re not in this business to gain more “family” members, you’re here to make film and either do it as a career or to do it as a hobby.  This happens in any town or city, so don’t feel you need to move from Atlanta to LA or Austin to Seattle.  It just happens.  People want to get ahead at any cost.

COMMUNICATION

I’ll just send you over to this blog about communication.  Read it. Communication is a huge problem.  I repeat – Communication is a huge problem.

CREW/CAST RESPECT

Again – sending you to another blog about respect.  You better know it and do it because word gets around fast.

RESPONSIBILITY & CONSEQUENCES

Responsibility:  You are responsible for the safety and well-being of all your crew/cast that you hire along with the business and homes you use.  Professionalism is the best practice.  Always be courteous and helpful.  If it is too much for you, hire a Producer that can be a voice for your film.  While we are on “Responsibility”, if you screw up, step up and take responsibility for it.  Running away and hiding won’t build you any peace bridges any time soon.  It’s about being professional.
Consequences:  If someone is injured on set and you do not have insurance, you are running the risk of being sued. If you treat people badly, you run the risk of burning your own bridge with your local film community.

HOLY CRAP

I know what you’re thinking by now.  “Holy crap Gina, I don’t know if I want to make films after all – there seems to be so many laws and guidelines.  I just wanted to make a movie.”  Well, the answer is this – it’s called show business for a reason.  It really is a business and accountants, attorneys, auditors, tech editors, etc are all involved eventually.  It is a great industry to be in but you also have to treat it as a job and be responsible as well.  Just remember, you are representing yourself as a business.

MAKING A MOVIE

Go forth and make a movie.  Don’t forget about hiring crew/cast and that can mean pro bono as well.  Make sure the script is good, you have great lighting and actors.  You are now on your way to being a filmmaker!!!

OTHER RESOURCES RIGHT OFF THE WASHINGTON FILMMORKS SITE:

Resource Downloads
Business Seeking Work in Film Industry

Community Filming Guidelines

Excemption Certificate

Funding and Grant Resources

Guidelines for Private Property Owners

History of Film-TV in WA

Market Your Community to the Film Industry

Statute 6423

Statute 6558

Talent + Extras Cautions and Guidelines

Things to Consider when Location Scouting

WA State Code of Conduct

 WHERE CAN I GET MORE INFORMATION

Well as stated above, you can get the information from Washington Filmworks and Seattle Office of Film & Music.

I am no expert but I take the time to read up and I have fantastic mentors of years in Hollywood, Vancouver, New York, London, Washington DC, and those that fly back home to Seattle. If anyone would like me to add anything more to this – email me at:  officialginalockhart@gmail.com

Cheers.

Gina Lockhart
Producer/Director/Writer

Producer’s Corner: Communication

Recognize this conversation?

JOHN MCLATER walks down the street all happy as a camper with toilet paper when he’s stopped by MONICA SILENCE

Monica:  Hey John!  Great to see you!!!
John:  What’s up Monnie?!
Monica:  Oh not much.  I’ve been thinking about working on that short film by Jeff Bingeta.
John:  You mean the one that starts in two weeks?
Monica:  Yeah that one.
John:  Well, you sure about that?  I mean, we just had a production meeting two nights ago.
Monica:  Wait?  They contacted me about being Script Supervisor.  They can’t do that.
John:  When did you get the email?
Monica:  Two weeks ago.  I’ve been so busy……

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DISCLAIMER:  Not for sissy-pants.  You have been warned.  By the way, when I write blogs, they also teach me a lot of things.  So when it seems I’m pointing fingers at people, I am a firm believer in looking in a mirror.   So my blogs also teach me things to better myself as a human being.

I have actually heard very similar moments and I experience trying to herd people into emailing back a response….and the sad thing is, it doesn’t matter if it’s a paid or pro bono gig.  In any industry this is not acceptable but in the entertainment industry that is contracted and expected to be fast with responses – taking your time to respond is a very bad habit to have.  I will admit that I’m not alone when I say my local area is bad about returning emails.  I can get a quicker response from Scotland, Washington DC, India, New Orleans and Hollywood than I can from some Seattle peeps.

EMAILS
What is it with people not responding to emails?
Is it:
a) I’m so busy that I just don’t have time to check emails.
Answer)  Get out of the industry so others can get gigs.
b) I’m tech dumb.
Answer) Take classes – anyone under the age of 70 should know how to use a PC by now.  I mean, you do realize those baby-boomer people were working on videos games right?
c) I’m just a damned hipster and I figure the world owes me everything – waiting for me too.  It’s just me, myself and my ear plugs.
Answer) This industry waits for no one. Now go put a chain through your ear plug and lock yourself behind a Greyhound bus headed for Portland.

What’s a proper way of communicating through emails?
1. First of all, don’t take more than 24 hours to respond.   Sure, stuff happens and an email slips through the cracks but over-all – do not take more than 24 hours to respond.  You lose gigs, clients, etc for what business you are working in.
2. If you are within the entertainment industry or sales, you better be checking your emails every hour or immediately when one comes in.   You will do yourself a favor by being Johnny/Suzy Jackrabbit with your email responses.
3. Don’t write one liner responses.  Nobody knows what the hell you’re talking about because they don’t read minds.
4. Don’t respond to an audition with your website link. Are you kidding me?  Producers want to hear why you’re interested – no, you don’t need to do a novel.  Just write a paragraph thanking the shit out of them for the opportunity and why you are perfect for this role.  A paragraph is up to five sentences.
5. If you are contacted from a Producer and you don’t respond, it probably will be the last time you hear from that Producer ever again.
6. Email or call if you’re going to flake out on an audition. If you don’t contact, it may be the last time you hear from that Producer ever again.
7. Don’t use text slang:  WTF yo!  I rly wnt da rlz u has on ad.  I don’t think I need to talk about this any further, yo.  Go watch this video for poor communication and being clear on what you’re saying.

It’s funny but …see what I mean?

READ EVERYTHING
So there you are – writing out things and organizing it so that even an ADHD reader can quickly grasp what you just laid out for instructions.  Then along comes some dip shit that waits a week and asks you the same gorram thing you posted in the email.  Don’t be a dip shit – read all of the instructions.  ALL OF IT!  No really – I mean it.  People who don’t read emails are the ones who whine that they got into a contract with deferred payment and they don’t even know what it means.  READ PEOPLE READ!  You’re breaking the hearts of books all over the world.   I mean….who’s on first?

PHONE CALLS
Phone calls are from that mobile devise you have attached (literally) to your hot little hand.  It’s what we did before text messaging came out.  I’m pretty damned sure that 98% of you remember a land line phone.  A quick phone call is faster than trying to text and fix the friggin’ auto correct.  Respect the fact that not everyone is on the same plan so keep it short and to the point – or get voxer on your phone and do voice texting.

TEXTING
For the love of all humanity – do not ever text business.  It’s fine to say – “John, I’m stuck in traffic” but to text out something like, “John,  the contravariant and the covariant vectors are related to each other through the metric tensor of the four dimensional manifold, commonly known as the Minkowski space. Since the contravariant and the covariant vectors transform in an inverse manner, such a product is easily seen to be invariant under Lorentz transformations. This is the generalization of the scalar product of the three dimensional Euclidean space to the four dimensional Minkowski space and is invariant under Lorentz transformations which are the analogs of rotations in Minkowski space.”
See how business looks in a text message? Eh?  Eh?  Don’t ever do it again.

FLAKING OUT
If you back out of an audition or a gig without contacting anyone TWENTY-FOUR HOURS BEFORE, more than likely you’re never going to hear from that Producer(s) crew and probably the other actors EVER again.  Take on the responsibility of contacting people – IT IS YOUR RESPONSIBILITY.  You are the one who chose to be in an industry that relies on you to be responsible.  Have I mentioned enough times that it’s your responsibility to be responsible for your own responsibility?  Call, text, or email the people in charge TWENTY-FOUR HOURS BEFORE the audition/gig.

VERBAL
Learn when it’s fuckin’ okay to swear or not.  Whoops, my bad –this is not the place today.  I like the word fuck just like a lot of you do but it’s not okay to just walk into an audition or be on set and just let it all fuckin’ slip out.  Look – I don’t buy the whole “it shows your lack of education if you swear” – BS.  It’s a morals thing – some people think it’s really offensive to them and I think it’s fine to respect that on set or any other work related place. You are going to work with all sorts of people in this industry so just be cool with swearing, politics, religion and sex.   Now, if the Producer initiates a little fuckin’ – caution, it might be a trick.  Just sayin.’

EYE CONTACT
When a Facebook friend recommended I cover eye contact, at first I thought that it might not fit in but really it does in the long run.  Have you ever been around someone who just won’t look you in the eyes?  If someone is too close to me without my glasses – I lose focus and end up looking outward a lot but I mention this.  Again, if you are in the entertainment industry, you are your business.  You must know how to sell yourself – this goes for crew and actors.  You are contracted for each film.

FACEBOOK VS EMAIL
Don’t contact business through Facebook. Don’t contact business through Facebook. Don’t contact business through Facebook. Email the person for their email address.  If an ad says to email x email address, don’t contact business through Facebook.  Just because you’re a friend doesn’t give you special rights because there are other friends who are thinking the same thing you are.  Don’t contact business through Facebook.

CONCLUSION
Look – I’m no pro at all this and heck, I’ve been guilty a time or two but not repeatedly.  Communication has different forms and meanings.  It’s up to you to be aware of other styles and ways.  It’s like movies and distribution in other countries.  What may be an appropriate title and cover here in America, may mean “I just ate sacred cow” in India.  Of course that would be offensive and you better care because it can cost you sales.

So the point here is what?
1. Answer your emails right away.
2. Call if you need to chat about something.
3. Text friends not business partners.
4. Look at a person when you’re talking/listening.
5. Don’t swear a whole lot.
6. Fuck Facebook.

Cheers.

Gina Lockhart
Producer/Director/Writer